03.04.2019
Murillo paying attention to Jordaens. The composition pattern for "Moses and the Water from the Rock of Horeb" at the Hospital de la Caridad in Seville.
The Instituto Moll wants to join in the homage to Bartolomé Esteban Murillo on the occasion of the 4th centenary of his birth in 1618, which is currently taking place in Seville. This painter was able to assimilate the foreign traditions and he adapted them to his aesthetic concerns, as well as to the artistic tastes of the moment.
Díaz Padrón was the first to link the subject of Moses Striking Water from the Rock by Jacob Jordaens (Antwerp, 1593-1678), preserved in the J. Paul Getty Museum in Los Angeles, with the scene that Murillo raises about the same subject for the Hospital de la Caridad. This theme was depicted by the Flemish painter several times, being that one of Los Angeles what Murillo follows for his painting in the Hospital de la Caridad. The Jordaens’ composition must have been in Seville at an early date, since that one belonging to the Paul Getty left Seville at the beginning of the 20th century. In addition, an old copy of this scene is preserved in El Arahal, a municipality near Seville, so it would not be strange that Murillo had known the scene and took it as a reference for his proposal. The painting by Jordaens dates from around 1645, and that by the Sevillian painter is from 1669-1670.
http://www.getty.edu/art/collection/objects/687/jacob-jordaens-moses-striking-water-from-the-rock-flemish-about-1645-1650/
For further information: M. Díaz Padrón, Jacob Jordaens y España, I, Instituto Moll, 2018, pp. 53-55, y 70-73.